On ash glazes and the colour of rain
What a wet autumn does to a glaze bucket, and why we stopped chasing a single recipe.
Read note →Design & craft studio — Leipzig
We work with clay, oak and paper in a small workshop on the west side of the city. Every piece is thrown, joined or folded on site — in runs small enough to keep our hands on all of it.
Selected works
The studio
Craft Studio Lab began in 2019 as a shared bench in a former print works. Today we are three makers and one very patient kiln, working across ceramics, small furniture and paper goods.
How we work
Every series starts on paper. We sketch proportions at full scale and live with the drawing for a week before touching material.
Clay is thrown and trimmed by hand; oak is jointed and finished with hard wax oil. Small runs mean we can correct as we go.
Pieces are bisque-fired, glazed and fired again to 1240 °C. Each one is weighed, photographed and numbered before it leaves the bench.
“A useful object should still feel like it was made by someone.”Mara Feld, founder
Journal
What a wet autumn does to a glaze bucket, and why we stopped chasing a single recipe.
Read note →Rebuilding the packing table from reclaimed beech — measurements, mistakes and one good joint.
Read note →A short diary of a small commission and the small decisions that shaped it.
Read note →Commissions
We take on a small number of projects each season — interiors, tableware and one-off objects.
Start a conversation